The Life and Death of Edward Wilson

Wilson’s medical and scientific skills were matched by his artistic talent. It was this combination that led to his appointment, in 1901, as second medical officer, vertebrate zoologist and artist on Captain Scott’s National Antarctic Expedition, which set sail in the Discovery in August 1901.

During the expedition, Wilson undertook important scientific work and began to create the superb series of Antarctic drawings and watercolours that are his main artistic achievement.

Following his return to England in 1904, Wilson undertook various scientific projects and prepared illustrations for books on British mammals and birds. In 1909, he accepted Captain Scott’s invitation to act as Chief of Scientific Staff on a second Antarctic Expedition, which set sail in the Terra Nova in June 1910.

A principal aim of the expedition was to reach the South Pole, which no one had ever done before. Wilson was one of five men chosen to make the journey. They set out from the Antarctic coast in November 1911, and arrived at the Pole on 17 January 1912, only to discover that the Norwegian explorer, Roald Amundsen, had reached it a month before.

Their journey back was dogged by terrible weather, food and fuel shortages, and sickness. By mid-March, two of the party had died, and the remaining three, including Wilson, were marooned in their tent by a nine-day blizzard. There they died, during the last days of March 1912, their bodies being discovered eight months later, on 12 November 1912.

Edward Wilson and Cheltenham

Members of Edward Wilson’s family had lived in Cheltenham since the 1850s, and continued to do so for more than a century. His birthplace, 6 (now 91) Montpellier Terrace, has an inscription on its exterior, recording his birth there, although the house in which his family lived from 1874 until the 1930s, Westal in Montpellier Parade, has been demolished; its site is now occupied by part of the Eagle Tower car park. Still to be seen though is the house known as The Crippetts, on the slopes of Leckhampton Hill, where Wilson’s mother Mary farmed from 1885 onwards, and where the young Edward Wilson developed his love of nature.

Following Wilson’s death, a public subscription for a permanent memorial to him was launched, and on 9 July 1914, a bronze statue, designed by Captain Scott’s widow, Kathleen, was unveiled in the Promenade. Its Portland stone base bears this inscription –

Edward Adrian Wilson B.A. M.B. CANTAB. F.Z.S. Born in Cheltenham 1872. Chief of the Scientific Staff. Artist and Zoologist of the British Antarctic Expedition 1910-1913. He reached the South Pole January 17 1912. And died with Capt. Scott on the Great Ice Barrier March 1912. ‘He died as he lived. A brave true man. The best of comrades and staunchest of friends.’ (Letter from Capt. Scott)

Dr Wilson is also commemorated at Cheltenham College. In 1924, his portrait, dressed in Antarctic clothing, was included in a new stained glass window representing the Christian virtue of Fortitude in the College chapel, and in 1936, part of the old Junior School was converted into a new Biology Department as a memorial to him; there, in 1937, a bronze plaque with a profile of Wilson based on a bas-relief by Lady Scott was erected. It bears the inscription –

Edward Adrian Wilson M.B. Biologist and Explorer From boyhood a lover of nature He died with Scott on the return from the South Pole March 1912. “Strong in Will To strive, to seek, to find and not to yield”

– the quote, being the last line of Tennyson’s Ulysses, being the words inscribed on the wooden cross erected to the memory of Wilson and his four companions on Observation Hill in Antarctica, looking across to the Great Ice Barrier where the five men had perished.

From 1926 onwards, a number of individuals, including Wilson’s widow, Oriana, donated paintings, photographs, documents, objects and scientific specimens relating to Wilson and the two Antarctic Expeditions to Cheltenham Art Gallery & Museum, while others were acquired by purchase. A significant addition to the Collection, from the Wilson family in 1995, was a large archive relating not only to Dr Wilson, but also to other members of his family, to which archive additions are still made by the family. Amongst the most historically significant items in the Museum’s collection are a watch found on Wilson’s body in 1912 and the prayer book used by Dr Edward Atkinson at the funeral service of Scott, Wilson and Bowers in November 1912.

The Wilson has a small Gallery devoted to Dr Wilson, and his life and art are explored in our changing Paper Store exhibtions. There are also Wilson collections in London’s Natural History Museum, and at the Scott Polar Research Institute in Cambridge, whose museum has extensive Polar displays. A number of books have been written about Dr Wilson, including three by George Seaver, all published by John Murray of London: Edward Wilson of the Antarctic (1933), Edward Wilson Nature Lover (1937) and The Faith of Edward Wilson (1948). More recent books include Cheltenham in Antarctica: the Life of Edward Wilson, by David Wilson and David Elder (Reardon Publishing, Cheltenham 2000) and With Scott in the Antarctic. Edward Wilson. Explorer, Naturalist, Artist, by Isobel Williams (The History Press, Stroud, 2008). A website devoted to Dr Wilson is www.edwardawilson.com.

Schultz and Barnsley had travelled to Greece and Turkey in the 1880s and were experts on Byzantine architecture. This is the architecture of the Greek Orthodox Church in the Middle Ages in Greece, what’s now Turkey, and can be seen in some places in Northern Italy, such as Venice and Ravenna. Gimson didn’t visit Greece or Turkey, but he visited Venice and Ravenna in 1889.

It was an interesting design process. First Schultz sent a design with his idea for the chairs, and then Gimson adapted that, agreeing each stage with Schultz. They had to send the designs backwards and forwards by post, but the post was often very fast in the early 20th century. The friends had collaborated before, and their styles were very much in tune with each other and Sidney Barnsley, who designed the kneelers for the chapel.

We are fortunate to have Gimson’s log book of the work done by the furniture workshop for this time. We know through this that there were four makers, Percy Burchett, Fred Orton, Ernest Smith and Mr Ward, all supervised by Gimson’s foreman, Peter Waals. It took them 502.5 hours to make the prototype, which cost £44.13.0. The seven ebony seats were estimated at £423 delivered, and took 3218.5 hours.  They were finally installed in 1915, with Gimson writing to Schultz in July that year about his concerns: ‘We are trying to get the St. Andrews Chapel seats taken … , but the chances are against success in our workshop – the seats are now quite finished, but as Waals & the men are going to Cambridge for three weeks & the Chapel floor is not complete we will keep them here, till the end of the month – they look better for the few alterations [since] you saw them.’

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