Gimson saw himself first and foremost as an architect. Trained by a generation who believed that an architect should be able to design everything for a building, he was inspired by architecture to design furniture, metalwork and more. He began to achieve recognition and more numerous architectural commissions shortly before the First World War. Some grand schemes he produced give an idea of where his work might have gone. He often worked with other architects such as Robert Weir Schutz, Detmar Blow and FL Griggs. He was also a member of the Society for the Protection of Ancient Buildings, and advised on restoration for the Society in the Cotswolds area.

The Wilson holds about 500 architectural designs and plans by Ernest Gimson. Explore a selection of them here.

Learning the trade

1945_17-Compton-Winyates

A sketch by Gimson, 1890, of Compton Wynyates, a Tudor manor house in Warwickshire.

Building for his family – the Leicester houses

1941_226_225_007

Rockyfield, in the Charnwood Forest, was the last of the houses Gimson built for his family. It was built for his sister Margaret in 1908.

Cottages for himself and others

1991_1016_996_Y41_007-detail

The Leasowes, the house Gimson built for himself and his wife, Emily, in Sapperton, from an etching by his friend F L Griggs.

Churches: conservation and interiors

1941_222_123

Design for clergy seats for Salle church in Norfolk, 1911.

Designing for competitions

1941_224_347-1

House designed for the Pre-Raphaelite artist William Holman Hunt in 1900. The house was never built.

Gimson’s last work

1972_186_33

Design for the Memorial Library at Bedales School.

Share this article