Gimson discovered chairmaking in the early 1890s. He went to Bosbury, near Ledbury in Herefordshire, and spent a number of weeks learning how to make chairs on a pole lathe from traditional chairmaker Philip Clissett. He produced chairs throughout the 1890s as a small business. By the early 1900s the furniture and metalworking workshops took up most of his time. He couldn’t meet the demand for chairs, so he set up a new workshop with a young local man, Edward Gardiner, at its head. The workshop Gardiner went on to set up has a legacy that lasts until the present day – you can still buy chairs to Gimson’s designs.

The Wilson holds Gimson’s designs for chairs. He designed a limited number of patterns from which Edward Gardiner worked.

From sketching to making – Gimson’s first chair

In 1886 Gimson sketched a number of chairs at an inn at Ditcheat, Somerset – ladder-backed chairs and Windsor-style chairs. In 1890 he designed a chair for his brother Sydney, saying in a letter, ‘for one great fat man or for two thin ones’. This chair was based on a Windsor chair, but was more elaborate. It was made of ‘beech with an elm seat and yew tree sticks.’ Gimson goes on to say how satisfied he was with the chair, ‘the colour and the grain are very lovely.’ This chair wasn’t made by Gimson. He used a chairmaker working in the Chilterns, J. Britnell, to make the chair. But it wasn’t long after this that he started to learn to make them himself.

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Ernest’s letter to his brother Sydney, 12 September 1890, with a sketch of the chair he planned to have made.

Making chairs at Pinbury

When he and the Barnsleys moved to Pinbury Park, near Cirencester, Gimson started making chairs. Often they were for clients who were family or friends. This was the work that occupied him, along with architecture and plasterwork, throughout the 1890s. He subtly adapted the ladderback chair design used by his master, Philip Clissett in Herefordshire, and also started making bobbin-backed chairs. These were all done in the traditional way, using pole lathes and spoke shaves.

The Legacy continues to today

Gardiner took the chairmaking business to Warwickshire in 1913 and later took on an apprentice, Neville Neal, who continued the business. Neal trained his own son, Lawrence, who is today still making chairs in the Rugby area. He has trained up two apprentices, Sam Cooper and Richard Platt, who have moved to the Marchmont Workshop in the Scottish Borders to continue the tradition of Gimson’s chair designs by now well over a century old.

Edward Gardiner and the chair-making workshop at Daneway House

He handed over the craft to Edward Gardiner, the son of the owner of the Sapperton saw mill, in 1904. Although Gardiner had little experience, Gimson thought he had promise. He gave Gardiner some training, but not enough. Gardiner had to learn for himself: ‘I bought a book on the subject, but I really got right ideas from that wise old craftsman … William Bucknell of Tunley’ and watching other chairmakers. He worried that he was not an experienced craftsman but, knowing the other men working for Gimson, he said, ‘I do not intend my work should be in any way inferior to theirs … I took great pains to make a perfect job of each chair.’

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